The tracks to the unknown and the unconscious in life are not always easy to follow. The encounter with emptiness and silence or the tracing of cuts or breaks. The work process is like a translation, an abstraction, a materialization of these notions.
Exhibition | 2020
The new year starts with a special moment. The VISUS GALLERY from Belgium visited my studio and exhibited some of my works at the London Art Fair and the Affordable Art Fair in Milan. Some of my large painting found a collector. Thank you so much, Celine and Antoine Gaussin.
We all hope that the pandemic will end soon. Be careful, stay safe.
We all hope that the pandemic will end soon. Be careful, stay safe.
painting | 2019
Painting-as-objects made with natural indigo pigment and a new handmade structure paste with chalk of the Island of Rügen. Intuitiv, minimal, monochrome, silent.
Paperwork | 2019
Restrained, reserved, quiet, tranquil, un-disturbed – through the execution of some layers in sepia, black or gray. They do not aim to capture reality, but instead attempt to evoke emotion and contemplation of the onlooker.
Sculpture | 2019
It's exciting to see people touch and move the objects. I like it when my objects incite the beholder to move them, change the blink angle, or change the communication within the group as he or she currently feels. Maybe it's also about limits. Borders between communities, regions or countries, boundaries in the minds and boundaries that you set yourself. An interaction between art and viewer that I find valuable. Thinking about beyond borders.
Sculpture | 2018
A series of thin, slim and graceful sculptures designed in the middle of 2018, based on ink drawings from 2017. My mentality—that art should be for everyone—motivate me to create small sculptures, sized for table tops, shelves or puristic white cubes like shown left.